FANCY A (VIRTUAL) TRIP TO THE SOUTH OF FRANCE?
Violinist Fiona Pears and guitarist Connor Hartley-Hall share a love of Gypsy Jazz. This music was originally made famous by legendary guitarist Django Reinhardt and French virtuoso violinist Stéphane Grappelli, when they formed the 'Quintette du Hot Club de France' back in the 1930s.
The music Fiona and Connor will be performing in their upcoming show at OSPA Theatre, Onewhero on 14 February will be a mix of fiery Gypsy jazz, heart-warming ballads and some well-known classics such as ‘Czardas‘ and ‘Dark Eyes’. “We are delighted to be starting 2021 off with such an exciting and dynamic show”, said OSPA President, Sylvia Devlin. “Our audience can take a virtual trip to the South of France from the comfort of the concert. This is definitely a musical experience not to be missed.”
Tickets are $25 and are on sale now at www.ospa.org.nz... or (cash sales) at The Goodness Grocer, 216 King Street, Pukekohe. Doors open at 7.00pm on Sunday 14 February.
Poll: 🤖 What skills do you think give a CV the ultimate edge in a robot-filled workplace?
The Reserve Bank has shared some pretty blunt advice: there’s no such thing as a “safe” job anymore 🛟😑
Robots are stepping into repetitive roles in factories, plants and warehouses. AI is taking care of the admin tasks that once filled many mid-level office jobs.
We want to know: As the world evolves, what skills do you think give a CV the ultimate edge in a robot-filled workplace?
Want to read more? The Press has you covered!
-
53% Human-centred experience and communication
-
15.7% Critical thinking
-
28.8% Resilience and adaptability
-
2.5% Other - I will share below!
Boundaries of Adaptation - An exhibition by Nina Bulgakova
Boundaries of Adaptation
An exhibition by Nina Bulgakova
28 February - 18 March
Community Gallery Space - Franklin Arts Centre
Opening Event: Saturday 28 February, 10am
Adaptation is often understood as the ability to adjust to an environment, to accept its conditions and become less visible within it. In this body of work, the focus shifts to a different moment, the point at which adaptation reaches its limit and begins to form a boundary.
This boundary is not a gesture of refusal or isolation. It appears as a need to define how interaction with the outside world takes place. Not to shut it out, but to stay in contact while maintaining a sense of stability. Here, the boundary is not an opposition, but a way of reaching agreement.
The works take the form of wall-mounted sculptural objects, where the boundary becomes material and physically present. Within these objects, it is expressed through weight, density, surface, and tension of form, shifting from an abstract idea into a direct experience.
Have you got New Zealand's best shed? Show us and win!
Once again, Resene and NZ Gardener are on the hunt for New Zealand’s best shed! Send in the photos and the stories behind your man caves, she sheds, clever upcycled spaces, potty potting sheds and colourful chicken coops. The Resene Shed of the Year 2026 winner receives $1000 Resene ColorShop voucher, a $908 large Vegepod Starter Pack and a one-year subscription to NZ Gardener. To enter, tell us in writing (no more than 500 words) why your garden shed is New Zealand’s best, and send up to five high-quality photos by email to mailbox@nzgardener.co.nz. Entries close February 23, 2026.
Loading…